Marabu Artist Acryl is the new size in artist’s paints. The new generation of fine, high-quality artist’s acrylic paints impresses with its professional quality that makes no compromises!  The Marabu Artist Acryl highly pigmented shades are accompanied by a compact range of primers, gels and pastes as well as thickeners, thinners, matt and gloss media, drying retarders and protective varnish as well as high-quality canvas frames. For applications of the highest level.

The fine, high-quality water-based artists’ acrylic paints is ideal for all acrylic painting techniques. You can use it on canvas, cardboard, paper, wood and many other materials.

The bright colours can be mixed together and once dry, are waterproof and lightfast.

The highly pigmented, paste-like consistency of the Marabu Artist Acryl paints creates a flexible paint layer when applied.

Product highlights:

  • Water-based;
  • High pigment content, pasty consistency;
  • High light fastness, very good brilliance and coverage;
  • Elastic paint film;
  • Water-resistant after drying
  • Ideal on canvas, cardboard, paper, wood;

Depending on your preference, Marabu Artist Acryl can be used undiluted or diluted with a little water. Painting over or adding to the pictures is possible at any time. With its pasty consistency, it can even be applied with a spatula. To get started, transfer or trace a template onto the painting surface.

For mixing colours, a colour circle provides orientation at the beginning. Acrylic paint dries a little darker – so tend to mix the colours a little lighter and use black sparingly. When changing the colour shade, clean the brush well with water so that no mixed colour results.

When painting, it is a good idea to start with the background and then work your way forward, layer by layer. Minor mistakes can simply be painted over with the next layer. For a perfect colour gradient, start with a pure light colour and apply it over the entire surface. Gradually add more of the second colour tone to the still wet colour and slowly wipe it into each other to create an even transition to the second colour tone. A large, flat brush or a sponge is very suitable for this technique. For small motifs, use correspondingly smaller brushes and for details it is best to use the smallest brush with a round tip.

Important: After painting, thoroughly wash out the tools used immediately.

Weight N/A

Azo yellow, Brilliant orange, Brilliant violet, Burnt sienna, Burnt umber, Carmine red, Cerulean blue, Cobalt blue, Copper, Dark aquamarine, Dark olive green, Dark phthalo green, Deep cadmium yellow, Deep naphthol red, English red, Flesh, Gold, India yellow, Indigo, Iron oxide black, Ivory, King's blue, Lamp black, Leaf green, Lemon yellow, Light green, Light ochre, Light olive green, Light phthalo green, Lilac, Madder red, Mauve, Medium cadmium red, Mineral white, Mixing white, Neutral grey, Payne's grey, Permanent dark green, Permanent orange, Permanent red violet, Permanent violet, Phthalo blue, Primary cyan, Primary magenta, Primary yellow, Prussian blue, Purple magenta, Raw sienna, Raw umber, Red orange, Rose beige, Sand, Silver, Terracotta, Titanium white, Turquoise blue, Ultramarine blue, Vandyke brown, Vermillion, Yellow ochre


75 ml, 120 ml, 500 ml


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